Cockfeather Mask – Rebecca Horn born 1944- 1973
Horn has described how this mask alters her interaction with others: ‘With the feathers I caress the face of a person standing close to me. The intimate space between us is filled with tactile tension. My sight is obstructed by the feathers. I can only see the face of the other when I turn my head looking with one eye like a bird.’ Through her mimicry of bird movements, Horn suggests the use of plumage as a device for communication and sexual display.